PAPERS: Power, Peasants, and Practice-as-Research: Rechoreographing Giselle to explore ethical balletmaking conditions through transferable dancer-centered practices. (S. Carter, J. Cerreta, CORPS/UCI/NCI Conference 2026 - in progress) Gamechangers: Using game-based simulations to develop fluid organizational alternatives to classical ballet company hierarchy in the US industry. Waltz of the Powers: Exploring the importance of dance in the performance of citizenship. Policy Memo: Relieving income inequality within the field of professional classical ballet. Ballet, Rebooted: A proposal to review and revise the instruction of classical ballet. Gender Politics and Pirouettes: Feminism and Classical Ballet in the 21st Century.
BLOG: San Diego Ballet blog, and Tullebox
ACTING
MUSICAL THEATER: Pepe in West Side Story, Monkey/Poppy/Tornado/Ensemblist in The Wiz
FILM: Sara in Directors, Best Comedy of the Year (Indie Film Fest)
THEATER: Debut as Juliet in Romeo and Juliet (Dean's Men), and eventually Beowulf in Beowulf (Classical Entertainment Society)
MODELLING
LONDON: Pedestrians En Pointe (printwork)
CHICAGO: Eva Vitore (couture), Akira (printwork + catwalk)
SAN DIEGO: Gretchen Productions (catwalk)
SINGING
JAZZ VOCALIST: Alto / Contralto (Palomar Jazz Ensemble)
ONGOING Steffi created Renversé Ballet as a virtual resource committed to amplifying diversity, equity, and inclusion (DEI) in the classical ballet industry --and frequently creates original content to discuss social issues with RB's network of dancers.